"Beth Greenberg's solid direction stressed the mythic aspects of this morality tale."
--OPERA NOW / THE WALL STREET JOURNAL, Heidi Waleson
The Scarlet Letter (Laitman), world-premiere, Opera Colorado, 2016
"It was as if opera had begun again from nothing, conjured out of the night."
--THE NEW YORKER, Alex Ross, 2013
"…an elegant tribute to Piazzolla's and Ferrer's ability to combine music, movement and words of hallucinatory power…"
--THE NEW YORK TIMES, Corinna da Fonseca-Wollheim
Maria de Buenos Aires, Opera Hispanica at Le Poisson Rouge, 2013
"…the show was directed with great period flavor and keen attention to detail by BETH GREENBERG."
--OPERA NEWS, Brian Kellow
Il Tabarro aboard the tanker May A. Whalen at the Brooklyn Red Hook Piers (site-specific), 2007
"…splendid…Beth Greenberg created a suggestive but fully three-dimensional world…"
--SAN FRANCISCO CHRONICLE, Joshua Kosman
Our Town (Rorem), west-coast premiere, Festival Opera, 2007
"Beth Greenberg's direction unfolds with admirable clarity and brims with telling touches."
--NEW YORK NEWSDAY, Marion Lignana Rosenberg
Turandot, New York City Opera at Lincoln Center, 2005
",,,a thoughtfully conceived production that caught the intensity and beauty of Tchaikovsky's lyrical scenes.
Beth Greenberg's incisive production filled the stage of the Grand Opera House with focused drama.
The director clarified the emotional conflicts at the center of the opera, also shaping the big public scenes with a sure theatrical hand."
--OPERA NEWS, Robert Baxter
Eugene Onegin, Delaware Opera, 1999
"…directed with spectacular flair by Beth Greenberg…"
--NY DAILY NEWS, Terry Teachout
The Tales of Hoffmann, New York City Opera at Lincoln Center, 1996
"Beth Greenberg helmed a modest but highly effective staging."
--OPERA NEWS, David Shengold
The Medium, Phoenicia International Festival of the Voice, 2015 (featuring Victoria Livengood)